Showing posts with label Rockabilly. Show all posts
Showing posts with label Rockabilly. Show all posts

Saturday, 10 September 2016

Rockin' With Ricky


Ricky Nelson - Rockin' With Ricky
ACE Records CH85

Side A
Mighty Good
Milkcow Blues
If You Can't Rock Me
Be-Bop Baby
There's Good Rockin' Tonight
It's Late
Waitin' In School

Side B
Shirley Lee
There Goes My Baby
Boppin' The Blues
I Got A Feeling
My Babe
Stood Up
Down The Line

For many, Ricky Nelson is considered part of the clean cut wave of manufactured 'Bobbies' that flooded the charts after Elvis got drafted, teen idols produced by record companies desperate to regain control from the rock 'n' roll phenomenon. I first heard them called 'Bobbies' by Jerry Lee Lewis and the name fits as most of them were called Bobby. But to lump Ricky Nelson in with them is doing him a serious disservice. Despite the fact that he was a radio, TV and film star who had a very clean cut image and was very photogenic he could rock 'n' roll with the best of them, as this album proves.

The fourteen tracks on this LP were recorded for Imperial Records between 1957 and 1960 and showcase Ricky's rock 'n' roll and rockabilly credentials. Any of them stand comparison with any of the acknowledged greats of the time. Every track on this album is great, six of them made it into the Billboard top 40 and three of them into the UK top 40. Most of the tracks are cover versions but they all stand up to the originals and sometimes surpass them. For instance compare Ricky's 'Milkcow Blues' with Elvis' (not the original, I know, but most likely the version covered), personally I'm not sure who did it better. Ricky's version is a prime slab of rockabilly, recorded in 1960 when most rockabilly/rock 'n' roll artists had moved into country or pop. That's not to say that Ricky was not a pop singer, he was, and a lot of the good stuff was hidden away on the B-sides of pop singles, which is the case for 'Milkcow Blues', but name me one Elvis single from 1960, A or B-side, that rocked as much.

The guitarist on all theses tracks is a young James Burton, just starting out on his career. The "Master of the Telecaster" would go on to play with just about everybody in country and rock 'n' roll, most famously he led Elvis' TCB Band in Vegas. He's currently touring but it seems that he's mostly doing the Elvis Vegas stuff rather than anything on this album. Still worth going to see though, I would if I was well enough, he's playing locally.

I was given this album for my seventeenth birthday, almost thirty(!) years ago, and it's always been a favourite. I could easily pick any of the tracks on this album to share with you but I've gone for 'Milkcow Blues' because it's fantastic and I've spent half of this post banging on about, his amazing version of Little Walter's 'My Babe' and one of his biggest hits 'Stood Up'. I hope that if you consider Ricky a 'Bobby' these tracks will change your mind. Play loud............


(To compare with Elvis, click here)


Monday, 20 June 2016

Alan Freed's Rock n' Roll Dance Party

Covers on all 5 LPs almost identical

Various Artists - Alan Freed's Rock n' Roll Dance Party Vol.1
WINS Records 1010

Side A
Pretzel - The Alan Freed Band
Maybelline - Chuck Berry
Out Of The Picture - The Robins
Why Do Fools Fall In Love - Frankie Lymon & The Teenagers
Your Promise To Be Mine - The Drifters
Tear It Up - The Johnny Burnette Trio
Whistle My Love - The Moonglows

Side B
We Go Together - The Moonglows
Cherry Lips - The Robins
Please Be Mine - Frankie Lymon & The Teenagers
I Love Paris - The Robins
Oh Baby Babe - The Johnny Burnette Trio
Ruby Baby - The Drifters
Roll Over Beethoven - Chuck Berry

Various Artists - Alan Freed's Rock n' Roll Dance Party Vol.2
WINS Records 1011

Side A
Push It - The Alan Freed Band
A Kiss From Your Lips - The Flamingos
She Loves To Dance - The Flairs
Candy - Big Maybelle
Money Honey - Clyde McPhatter
Lilly Maebelle - The Valentines
Hound Dog - Gene Vincent & The Blue Caps

Side B
Be Bop A Lula - Gene Vincent & The Blue Caps
The Woo Woo Train - The Valentines
Treasure Of Love - Clyde McPhatter
Cry Baby - The Bonnie Sisters
In Self Defence - The Flairs
Ring Dilly Dilly - Big Maybelle
The Vow - The Flamingos

Various Artists - Alan Freed's Rock n' Roll Dance Party Vol.3
WINS Records 1012

Side A
Teen Rock - The Alan Freed Band
Rock Around The Clock - Bill Haley & The Comets
Can't We Be Sweethearts - The Cleftones
Soldier Boy - The Four Fellows
Roll With Me Henry - Etta James
Why Did I Fall In Love? - The Jacks
(You've Got) The Magic Touch - The Platters

Side B
My Prayer - The Platters
Teenage Prayer - Gloria Mann
Little Girl Of Mine - The Cleftones
Why Don't You Write Me - The Jacks
I Sit In My Window - The Four Fellows
Crazy Feeling - Etta James
Hot Dog Buddy Buddy - Bill Haley & The Comets

Various Artists - Alan Freed's Rock n' Roll Dance Party Vol.4
WINS Records 1013

Side A
Flag Waver - The Alan Freed Band
I Promise To Remember - Frankie Lymon & The Teenagers
Ivory Tower - Otis Williams & The Charms
What's Your Name - Chuck Willis
The Verdict - The Five Keys
Love, Love, Love - The Clovers

Side B
Tweedle Dee - Lavern Baker
Foolishly/Runaround - The Three Chuckles
Why Do Fools Fall In Love - Frankie Lymon & The Teenagers
It's Too Late - Chuck Willis
She's The Most - The Five Keys
Your Tender Lips - The Clovers
One Night Only - Otis Williams & The Charms

Various Artists - Alan Freed's Rock n' Roll Dance Party Vol.5
WINS Records 1014

Side A
Let's Face It - The Alan Freed Band
Earth Angel - The Penguins
See Saw - The Moonglows
Rip It Up - Bill Haley & The Comets
I Almost Lost My Mind - Ivory Joe Hunter
I'll Be True - Faye Adams
Woe Is Me - The Cadillacs

Side B
Speedo - The Cadillacs
Ice - The Penguins
You Mean Everything To Me - Ivory Joe Hunter
Rock, Rock, Rock - Jimmy Cavello & The House Rockers
When I'm With You - The Moonglows
Shake A Hand - Faye Adams
Saints Rock & Roll - Bill Haley & The Comets

The disc jockey Alan Freed is often credited for coining the phrase "rock & roll", he didn't. The phrase had been around for a long time as a euphemism for sex, particularly in the African-American community. He was, probably, the first to use it to describe a genre of music though, and it was through the popularity of his radio shows, TV Shows and 'in person' concert package tours that made it stick. His shows championed R&B, doo-wop, rockabilly and rock 'n' roll regardless of colour and race, which was ground breaking and controversial. He did a lot to promote the music of black acts to white audiences and was therefore very influential in the development of rock 'n' roll and the breaking down of racial barriers. This should be remembered over the payola scandals that ruined his career, the fact that he made money out of it through back-handers etc. is irrelevant, what he helped achieve is not.

These five records are taken from his 'Rock n' Roll Dance Party' radio shows aired during his time at WINS in New York in the mid to late 1950's. They feature the cream of R&B, doo-wop and rock 'n' roll artists performing live backed by the Alan Freed Band (featuring saxophonists Sam 'The Man' Taylor and Big Al Sears). Each one sounds like it's a complete show (and probably is) with all of Alan Freed's introductions included and a very excited audience. They are a real slice of history and an absolute joy to listen to. If you ever see them I strongly advise you to buy them, you won't regret it.

Here's just a small sample of the greatness of Alan Freed's Rock 'n Roll Dance Party (there's lots more to find on YouTube). Play loud.......


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